Diego Velazquez Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Diego Velazquez Saint Antoine abbe (df02) c 1635-1638
St Anthony Abbot
Heiliger Antonius der Abt
55.8 x 40 cm
Portrait du comte-duc d'Olivares (df02) c 1638
Count-Duke of Olivares
Conde Duque de Olivares
Huile sur cuivre.Oil on copper.Ol auf Kupfer.10 x 8 cm (ovale) Painting ID:: 22699
Diego Velazquez Portrait du comte-duc d'Olivares (df02) c 1638
Count-Duke of Olivares
Conde Duque de Olivares
Huile sur cuivre.Oil on copper.Ol auf Kupfer.10 x 8 cm (ovale)
Portrait de Francesco II d'Este,duc de Modene (df02) automne 1638
Francesco II d'Este,Duke of Modena
Francesco IL d'Este
Herzog von Modena
68 x 51 cm Painting ID:: 22700
Diego Velazquez Portrait de Francesco II d'Este,duc de Modene (df02) automne 1638
Francesco II d'Este,Duke of Modena
Francesco IL d'Este
Herzog von Modena
68 x 51 cm
Portrait du prince Baltasar Carlos (df02) c 1639
Prince Baltasar Carlos
Prinz Baltasar Carlos
128.5 x 99 cm Painting ID:: 22701
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet